Beatrice Dahllof

 
 
 

My studio practice is focused on figurative painting.

I have an interest in portraying human nature and the use of traditional narrative to create works that explore ideas of folk lore, ritual, memory and spectacle.

COVID-19 has had a significant impact on every part of my work; subject, story and scale. During isolation my main theme has been myself; all works are self portraits as I had no other sitters. It began as a way to enjoy myself, dressing up and posing, but quickly became a way to express how I was feeling in isolation. It has been a time of many difficulties; apart from the obvious threat of COVID-19, my mother had an ankle reconstruction, my 18 year old dog who had been my life long companion died, and barely speaking English at home making it challenging when I did have to leave the house.

Isolation also turned all of this semester’s work into a series I was not aware of until I had finished: the subject always faces the same way, there is always some kind of vase or flora on the right-hand side, and always in the same pattern. In trying to escape my home to find something different, I accidentally made an allegory of my surroundings, repeatedly.

I have been many people throughout this time; Polish Saints, heroines, folklore creatures, bored creations I thought of while lying in bed, but perhaps most importantly I have been myself.


Self Portrait as a Bride, 2020
Oil on canvas
430mm x 600mm

Do Domu, 2020
Oil on canvas
500mm x 500mm

Self Portrait with Red Hand and Dog, 2020
Oil on canvas
600mm x 400mm

Friday Afternoon, Eating, 2020
Oil on canvas
500mm x 500mm

Western District Dogs, 2020
Oil on unprimed canvas
500mm x 450mm

Vox Celmatis in Deserto, 2020
Oil on canvas
460mm x 350mm

Mazeppa, 2020
Oil and gold leaf on canvas
600mm x 450mm

 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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