Dana Sinnamon

 
 
 

I am a multidisciplinary artist working predominantly in video and installation. My practice takes influence from the experimental film movement of the 1960s, with an emphasis on light and movement as a source. My work centres on documenting time, space and feeling through abstract chaotic movement. My latest work, Feeling In Motion, could be described as poetry in video form, as I explore liminal and shifting presences in abstract form. Feeling In Motion exists as ten individual parts that are to be considered together, as one body of work; it mirrors my fluctuating state of feeling.

 
“This is what I am, a machine that runs in chaotic maneuvers, recording movements one after the other, assembling them in a patchwork. Freed from the constraints of time and space, I organize each point of the universe as I wish. My route is that of a new conception of the world.”
— Dziga Vertov, 'Kino Eye' manifesto, 1923

Feeling In Motion, 2020
Video + Sound
12:10

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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