Ellie Bracci

 
 

Time has felt like it has slowed down during the Coronavirus pandemic. With restrictions being put into place and our everyday life completely changing, we’re spending more time than ever at home and with our families. Stage four lockdown has served as the perfect opportunity for me to focus on documenting my family and my childhood home.

My project consists of a combination of candid and staged photographs, all of which set out to depict everyday moments in the lives of my family. It was influenced by the discovery of two boxes of lost family photos at the start of lockdown. As we looked through them I considered how few photographs there were of my parents and grandparents growing up. Images of the renovations of our home brought up associations with memory and change. This highlighted the importance of documenting our family today, with references to food and my garden symbolising family traditions and our farming background. The final project is presented in a book in the style of a modern family album.


Untitled, 2020
Pigment print

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
Previous
Previous

Mira Bozic

Next
Next

Mara Braun