Isabella Hope-Miller

 
 

Inspired by the plants that have surrounded me in my living space during the COVID-19 lockdown, Within the Pages explores relationships between the body, the leaf motif and the pages of a book. This body of work strives to conceal, or reveal, some form of interior space – whether by wrapping leaves in bubble wrap, or by hiding the body behind a curtain of a wearable papery vegetation. The house-plant leaf becomes a personal symbol of a way to consider the inaccessibility of outside space at a time when the population is locked inside.


Hid, 2020
Armature wire, copper wire, cardstock paper, PVA glue, acrylic yarn, copic marker, metallic ink, masking tape
300mm x 270mm x 176mm

Fragile Package, 2020
Copic marker, copic multiliner, armature wire, copper wire, paper, cotton blend yarn, bubble wrap, masking tape, PVA glue
210mm x 570mm x 530mm

Generic Leaves, 2020
Printer paper, on justick board
260mm x 330mm

Bee and Dragonfly, 2019
Brass, 3D printed resin, acrylic paint, varnish, silver, polymer clay
350mm x 200mm x 150mm

 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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Xueyang Hu Bess