Jess Graham

 
 

Bulge portrays the beauty of the human body and its natural physical curves and contortions.

Speaking to insecurity and vulnerability, these works consist of a series of sculptural vessels that celebrate the curvaceous beauty that all human bodies possess as well as the sense of vulnerability felt when one’s body is exposed.

The sculptures’ intentionally large and open rim allows viewers to peer inside. This openness metaphorically gives permission to the viewer to explore the inner parts of our bodies that are normally concealed. This encounter aims to help us become more comfortable with our insecurities so we can be willing and able share them with others.

Various naturally coloured clay ‘bodies’ have been made. The unfired nature of the clay highlights a sense of fragility of both the human form and the clay vessel to remind viewers of the possible damage or harm that can occur when one is exposed, open or vulnerable.


Bulge, 2020
Unfired ceramic
321mm x 1638mm x 834mm

Bulge - 1&5, 2020
Unfired ceramic
321mm x 652mm x 627mm

Bulge - 1,4&5, 2020
Unfired ceramic
321mm x 1005mm x 693mm

Bulge - 1,2,4&5, 2020
Unfired ceramic
321mm x 1396mm x 697mm

Bulge - 1,4&5, 2020
Unfired ceramic
321mm x 1005mm x 693mm

Bulge - 1&5, 2020
Unfired ceramic
321mm x 652mm x 627mm

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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