Milly James

 
 

My recent body of work explores the capacity of painting to endure in a way that the digital does not. An attempt to find meaning amongst the visual noise, each work represents a temporal envelope of quiet contemplation. ​

The idiosyncrasies that emerge through relationships between paint, brush and surface are evocative of a liminal space between thoughts. By the appropriation of seemingly ‘throw-away’ digital images, I attempt to understand the ontology of the image and the way in which it can consolidate memory and experience.


Untitled, 2020
Oil on board
300mm x 300mm

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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