RMIT School of Art Graduate Festival

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Milly James

My recent body of work explores the capacity of painting to endure in a way that the digital does not. An attempt to find meaning amongst the visual noise, each work represents a temporal envelope of quiet contemplation. ​

The idiosyncrasies that emerge through relationships between paint, brush and surface are evocative of a liminal space between thoughts. By the appropriation of seemingly ‘throw-away’ digital images, I attempt to understand the ontology of the image and the way in which it can consolidate memory and experience.


Untitled, 2020
Oil on board
300mm x 300mm

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