Shae Diana

 
 
 

My artistic practice explores environmental and biological systems. My artistic process utilises a connection between drawing and sculpture, combining the techniques of 2D and 3D art into a cohesive process to investigate relationships that occur within nature as well as the way nature interacts with external entities and evolves to overcome conflict.

My graduating artwork, Introspection, explores the brain’s psychological processes during the development of identity and personality through cognition, specifically the relationship between thought, emotion and behaviour. The idea is to investigate the complicated interconnections of this process that result in how one responds to a situation, whether negative or positive.


Introspection, 2020
Salvaged materials, PVC pipes, polymer clay, air dry clay, enamel paint
1200mm x 700mm x 800mm

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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