I’m interested in returning to the surface of things. My recent work explores the possibilities around a comprehensive practice where all materials have the capacity to be the final product in themselves.


Wall Drawing, Brunswick East, 2020
Performance
00:04:29

Untitled 24 (East Brunswick, 2020) + 24 (Hard Edge 1) (Installation View), 2020
Installation

Untitled 25 (East Brunswick, 2020) + 25 (Creamy) (Installation view), 2020
Installation

Untitled 24 (East Brunswick, 2020), 2020
Sculpture
170mm x 65mm x 65mm

Untitled 25 (East Brunswick, 2020), 2020
Sculpture
170mm x 65mm x 65mm

24 (Hard Edge 1), 2020
Drawing
320mm x 450mm

25 (Creamy), 2020
Drawing
320mm x 450mm

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
Previous
Previous

Jennifer Sun Baulch

Next
Next

Emily Beasy