Ben Macri

 
 
 
RMIT_Benjamin MacRi_2.png
 

Iconic fashion moments often make us stop and wonder at the fantasies they offer us; most often they are not based in realism, but they do reflect something of our culture. In this series I have explored fashion photography from a traditional lens, as a push back to the current photographic discourse around fashion which is an aesthetic that relies on a 'natural', 'grungy' and ‘cool' cultural commentary.

What I love about fashion photography is the fantasy of its glamour and beauty as a form of escapism from the realities of the world. In this series the fashion items, the models and I collaborate to explore a style of fashion filled with warmth and beautiful vibes.

Although my work is heavily inspired by publications such as Vogue, my work also relies on the strong connections I have to the people I collaborate with. Creating work during a pandemic has made me realise just how important it is for me to make such connections, especially with those I photograph.


Untitled, 2020
Digital photograph

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
Previous
Previous

Sarah-Elizabeth Lynch

Next
Next

Morganna Magee