Govinda Saroj

 
 

Inspired by the ‘new topographics’ photographers, this series is concerned with documenting the constant changes and alterations we apply to the environments that surround us. I photograph a 'landscape' that is not actually natural; one in which everything has been touched by humans. I believe urban spaces are equally part of the landscapes we experience. Many of the places I photographed during this year went through drastic change, even in a matter of weeks. This work seeks to showcase the constant impact we have on the world around us and asks us to become more conscious of its reach. Though the places I went to were in close proximity there is a lot of change happening, even in small spaces. The built environment is something that is growing drastically, and this project is to raise awareness of how humans are responsible for this.


Untitled, 2020
Pigment print
400mm x 600mm

Untitled, 2020
Pigment print
400mm x 600mm

Untitled, 2020
Pigment print
400mm x 600mm

Untitled, 2020
Pigment print
400mm x 600mm

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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Yolanda Scholz Vinall