Julia Krivoshev

 
 

In a collection of environmental self-portraits, I reflect on my experience of being confined to my Melbourne apartment amidst the seemingly endless COVID-19 lockdown.

This project depicts an abstract view of isolation with a satirical undertone combining humour with melancholia, mourning our loss of freedom while humouring the ridiculous lengths to which we go to pass time. The ludicrous nature of the images provides insight into my state of mind throughout long days of boredom, depression and desperation coupled with graphic elements depicting the length and severity of the conditions that controlled our days.

Often we perceive limitations as restricting our freedom of creativity, however I believe it requires more freedom of thought and experimentation to produce art in these times. In this depiction of life within the world’s strictest lockdown, I acknowledge the challenge faced by Victorians every day and the strength of community it takes to isolate for a greater good.


Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

Untitled, 2020
Digital photograph

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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Alex Kynaston