Kelvin Loc

 
 
 

Self-isolation shares a common interest with privacy and sacrifice. In my art practice, I explore the possibilities of isolation and mental instability with a result only the critiquing individual may present.

Self-devotion and self-loathing garners motifs of the everyday mundane through isolation in the attempt to present ephemerality of the mind. These thoughts are of emotional experiences of incompleteness. The issues of non-verbalisation is made clear in the empty content provided from the art works. I am interested in the absentminded physicality of my gesture where mindless drawing flows and the closed off communication I spread.

These issues and personal problems neglected creates a sense of plain adversity powered by poison where I am able to find light in from my personal experiences. 2020 has been the year where my whole practice has shifted and the only goal of my practice is to ensure the viewers and judgements of the audiences are not moved in any sense, but are confused and challenged.


OP 16, 2020
Graphite on calico
164mm x 106mm

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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Jingfan Luo