Olivia Leigh Morris

 
 

My work is a multi-faceted unearthing, mapping and excavation of space which I occupy.

I use enquiry through durational works, sculpture, print and site-specific intervention to unfold a spilling over of boundaries and betweenness. Intrinsically focusing on the horizontal and the vertical, I unearth a turning over of information, investigating gaps in the context of site.

Through concepts of archaeological gridding and mining I use excavating tools, digging holes and casting space as an enquiry for tracing betweenness. I attempt to merge boundaries by moulding negative space into positive space and combining the past, present and future. I acknowledge that capturing these gaps and between spaces are hard to grasp – I’ve been grappling with this unknowing since the beginning of my project. While I occupy space and land, I endeavour to make sense of these moments while accepting that I will never understand some aspects, nor will I have permission to.


Pointless Labour, 2020
Installation
2 hours

Unearthed: Day 5 37° 47’ 49” S 144° 59’ 42” E, 2020
Intervention/sculpture
5 days

Upside down Country, 2020
Installation, site-specific intervention

Upside down Country, 2020
Installation

Upside down Country, 2020
Installation, string, wood, hebel, rope
2 hours

Pointless Labour, 2020
Found materials at site, wood, steel
2100mm x 2100mm

In the folds, 2020
Excavation
5 hours

In the folds, 2020
Excavation
5 hours

*Honours project best experienced through the website olivialeighmorris.com

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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