Sarah Bryant

Oct 22

Coloured photograph depicting child pushing toy lawnmower in suburban backyard. Photo is bordered by secondary image of blue pool in suburban backyard.

Coloured photograph depicting mother holding child in domestic dining room beside a kitchen table. Photo is bordered by a secondary image depicting a corner of an empty room with white bookshelves.

Coloured photograph depicting two children and mother in a domestic lounge room. Photo is bordered by a secondary image of an empty domestic lounge room with grey couches.

Coloured photograph depicting two children and mother sitting on a couch in a domestic lounge room. Photo is bordered by a secondary image of an empty domestic lounge room with grey couches.

Coloured photograph depicting a domestic hallway leading to a front door. Photo is bordered by a secondary image of an empty domestic hallway leading to a front door.

My work investigates childhood memories and the changes in my life after living in my family home for 21 years – which also changed over time. This series combines an archival style with commercial photography to give the images an investigative feeling. Viewers will see the changes throughout my home and my family as they have grown.

I am very interested in commercial photography and working in a studio environment as I love using different approaches towards lighting and style. While I enjoy photographing still life and lifestyle imagery, I also enjoy architectural photography because I am very interested in design.

I enjoy creating work that is unique and breaks the standard rules of photography. It is semi-abstract in order to create a sense of curiosity for the viewer.

Memories, 2020
Photograph
1058.33mm x 1587.5mm

Memories, 2020
Photograph
1058.33mm x 1587.5mm

Memories, 2020
Photograph
1058.33mm x 1587.5mm

Memories, 2020
Photograph
1058.33mm x 1587.5mm

Memories, 2020
Photograph
1058.33mm x 1587.5mm

Sarah Bryant’s website
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photography

Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com

Sarah Bryant

Luke Bryant

Buddy Buckley