Thomas Kunyoul Lee

 
 

Framing reminiscence.

An exploration of psychological narratives in areas of solitude.

The photographs emphasise the aesthetic and spiritual dimensions of landscape, combining traditional metaphors and myths of the land with its inhabitants. Landscape allows us to contemplate land matters in a natural environment; it reflects on space for human beings and nature; it impacts on the way we consider our relationship through gazing and perceiving. The work presents the tensions between interior and exterior spaces and the interior and exterior self.

The projects present a combination of frames, both literal and metaphorical. And solitude – a middle aged man faced with responsibilities, seeing himself and his projected place in the world.

Visual cues and devices are used metaphorically, through which the outside world is exposed and explored in all its presence.


Framing reminiscence 1–8, 2020
Archival pigment prints

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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