Riley Holland

 
 
 
 

I'm seeking to cultivate a state of mind without intention; detaching from a process of planning paintings to work intuitively. Whilst walking I create a series of field recordings which in turn allow my footsteps to mimic a metronome. I then use these to dictate the rhythm and pace of my mark making. These translations come through as colours, shapes and patterns that together form a residue of a previous experience. Forever interested in exploring the materiality of paint, I seek out texture through applying many layers and reworking selected areas to create both compositional and surface tension. A hierarchy of tone and colour can be found in my works as I seek a balance between the gesture of mark making and the illusion of space.


Connie, 2020
Mixed media on board
800mm x 600mm

Being at Betty's, 2020
Mixed media on board
750mm x 500mm

On the Recline, 2019
Acrylic on board
2000mm x 1200mm

Pithy, 2020
Acrylic on canvas - Video of studio
850mm x 750mm
00:01:15

 
 
 
 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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